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Kids at Sullivan Manor getting ready for their moonwalk 🌜jk it's grouting day and it's gonna get messy! More pics of the mosaic will be coming soon!
#tgif hope everyone is having a great Friday night 🌃 mosaic at Sullivan Manor
Today in #dtsa at @thefridacinema. Don't miss this incredible show by @trokerofficial!
Santa Ana Sites #17 Happening now in #dtsa at @thefridacinema very few seats left if you want to come enjoy @trokerofficial performing live to the silent film The Grey Automobile. Thank you so much for visiting Santa Ana!
#Repost @dinoperez ・・・ OC WEEKLY's OC PEOPLE 2017! I am very honored to be a part of this years OC PEOPLE issue. Big thank you to @ocweekly 🗞 and to @fotocycleta for the wonderfully written article. Pick up a copy today! #ocweekly #OCpeople2017 #culture #dtsa #artist #graphicdesigner #painter #urbancreative #santaana @dtsantaana
❤ #Repost @bust_magazine ・・・ You may know this already but BUST does not have corporate backers, families with deep pockets, or very many advertisers. So in order to keep the lights on, we rely on our subscribers and newsstand lurkers to buy this little magazine called BUST. We know many of our followers already support us, so THANK YOU! But maybe you could tag a friend, or a budding feminist who you think might dig what we do and help us spread the word? We’d appreciate it. Thanks babes. 💕💋Photo from the cover of our latest issue, “Women Rise UP!” @nadyariot photographed by @jeaneenlund 💥💥💥 #protest #printsnotdead #resist #feminist #magazines #together #subscribe
❤ #Repost @hammer_museum ・・・ “Angela” is a charcoal drawing of the Black Panther Party member Angela Davis, who was arrested and imprisoned in 1970 on charges relating to the kidnapping of a judge from a Marin County, California, courthouse and his subsequent killing. Davis's case became a focal point of activism for many around the world, including Gallery 32 and its proprietor, Suzanne Jackson. — This work is featured in our digital archive of the exhibition “Now Dig This! Art and Black Los Angeles, 1960–1980.” — Elizabeth Leigh-Taylor, “Angela,” 1970. Charcoal on paper. 38 1/4 x 37 in. (97.2 x 94 cm). Private collection. Photo by Ed Glendinning. #BlackHistoryMonth #AngelaDavis #BlackPanther
❤ #Repost @museofridakahlo ・・・ Frida un ejemplo de fortaleza. #DíaInternacionalDeLaMujer
❤ #Repost @ocmuseumofart ・・・ Happy #internationalwomensday ! Born and raised in east Los Angeles, photographer Laura Aguilar addresses issues of gender and cultural identity in her work, often including friends, family, and even her own body as subjects of marginalized groups. In portraits like ‘Clothed/Unclothed’ she explains, “My work is a collaboration between the sitters and myself, intended to be viewed by a cross-cultural audience. Hopefully the universal elements in the work can be recognized by other individuals’ communities and can initiate the viewer to new experiences about gays, lesbians, and people of color.” 'Clothed/Unclothed #16' 1992 by Laura Aguilar on view in Forms of Identity: Women Artists in the 90s exhibition. #ocmaformsofidentity #womenartists #BeBoldforChange
❤ #Repost @hammer_museum ・・・ During #MadeinLA2016 we got so many comments asking if Huguette Caland’s caftans could be purchased. We heard you, and now they can! Caland’s caftans were such a hit during Made in L.A. that we decided to produce three different versions—based on three of the artist’s caftans—and sell them in the Hammer Store. — One of three children born to the first president of Lebanon following the end of the French mandate, Caland went on to study painting at the American University in Beirut before moving to Paris in 1970. The influence of the city and her proximity to its artistic life led to new breakthroughs within an artistic practice still undergoing a process of maturation. Caland often wore caftans of her own design, which foregrounded the artist’s own relationship to the erotics of the female form. Set against a backdrop of the feminist art movements that emerged concurrently, works such as these take into consideration the politics of representing female sexuality and desire, an interest that Caland mapped onto her own body and introduced to her immediate surroundings. #FridayFinds #HuguetteCaland

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Santa Ana Sites #18: Roomful of Teeth
Santa Ana Sites #18: Roomful of Teeth

Roomful of Teeth at Church of the Messiah

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Santa Ana Sites #17: Troker
Santa Ana Sites #17: Troker

Troker presents El Automovil Gris

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Santa Ana Sites #16: Perla Betalla
Santa Ana Sites #16: Perla Betalla

Perla's House of Cohen

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OC Weekly: Community Engagement Brings Art to Affordable Housing Communities in Santa Ana
OC Weekly: Community Engagement Brings Art to Affordable Housing Communities in Santa Ana

Extra! Extra! Read all about Community Engagement in the OC Weekly!

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GET TO KNOW US: Our first fundraiser!
GET TO KNOW US: Our first fundraiser!

Get to know us at our first fundraising event!

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CREATIVE SPOTLIGHT: TRINH MAI
CREATIVE SPOTLIGHT: TRINH MAI

Trinh Mai is an interdisciplinary artist and our Creative-in-Residence at Heninger Village in downtown Santa Ana.

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ANNOUNCEMENT: Santa Ana Creatives-in-Residence 2016
ANNOUNCEMENT: Santa Ana Creatives-in-Residence 2016
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CREATIVE SPOTLIGHT: ERIN SOTAK
CREATIVE SPOTLIGHT: ERIN SOTAK

Erin Sotak, a Phoenix based social practice artist, is a Creative-in-Residence at Whispering Pines.  

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COMMUNITY SPOTLIGHT: WHISPERING PINES
COMMUNITY SPOTLIGHT: WHISPERING PINES

The community of Whispering Pines was Community Engagement's first site for the Creatives-in-Residence program.  

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OPEN CALL: Creatives-in-Residence 2016
OPEN CALL: Creatives-in-Residence 2016
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